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1933–1949
Founding nameplate
The original nameplate used a condensed serif set in all-capitals, typical of newspaper and magazine mastheads of the 1930s. Several small refinements followed through the 1940s, but the basic weight and letter spacing changed little during these first 16 years.

1949–1970
Slab-serif consolidation
A 1949 revision shifted the masthead to a heavier slab-serif treatment, giving the title a more assertive presence on crowded newsstands. The work is attributed to Raymond Loewy Associates, the industrial and graphic design firm then at the height of its postwar practice.

1970–1985
Italic nameplate
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<img src="https://img.logo.dev/newsweek.com?token=YOUR_API_TOKEN" alt="newsweek.com logo" />Around 1970, the masthead moved to a bold italic slab serif, adding momentum to the letterforms. The style matched the era's taste for more dynamic magazine typography and remained on covers through the early 1980s.

1985–2011
Parkinson red box
Designed by Jim Parkinson
Art director Roger Black brought in lettering artist Jim Parkinson to draw a new nameplate in 1985 for a full magazine redesign. Parkinson's custom Egiziano-influenced slab was set in white inside a red box, a device Black invented to visually isolate the logo from any cover photograph, and it persisted as a signature for more than two decades.

2011–2025
Titling Gothic
Designed by Jim Parkinson
A March 2011 redesign by Dirk Barnett, developed alongside the merger with The Daily Beast, replaced the Egiziano lettering with a version of Font Bureau's Titling Gothic drawn by Parkinson. The bolder, more upright forms aligned the print identity with the new digital platform and dropped the long-running red-box device.
2025–present · current
2x4 rebrand
Designed by 2x4
Announced in September 2025, the redesign by New York studio 2x4 returned the masthead to a refined slab serif and introduced a standalone N mark alongside a red-and-paper palette. The project unified print, digital, social, and video under a single visual system described by 2x4's Michael Rock as aimed at clarity and immediacy across platforms.
DailyMail
dailymail.co.uk